Last week I had an open house at the wheelhouse for the class of EMT students that was at SOLO. The tiled hearth at the center of the wheelhouse drew a lot of attention, as it often does, so I thought it would make good fodder for a post.
             The base of the hearth is poured concrete and I wanted to cover the concrete with something attractive, washable, and durable.
             A friend who is a potter suggested designing and making tiles for the round hearth. I came up with several designs but the only one I really liked involved making more than six hundred tiles. At first, this was too much to contemplate. What I eventually did was break down the pattern into twelve tile shapes. I made a pattern for each tile shape and assigned each a number. I made a poster-board showing how many tiles of each pattern needed to be made (with a few extra to account for breakage), got the clay all prepared, set up a production area in the shop that I was using at the time, and invited a bunch of friends over for a tile making party.

             The party was a much greater success than I expected. We actually made all the tiles in one afternoon. The tiles are made of stoneware. The prepared blocks of clay were set up to cut tile slabs with a wire ¼ inch thick.
             The process went like this; the slab of what will become tile is cut and placed with what will be the top side down. The back of the tile is scored lightly with a toothed trowel to take the tile mortar. Patterns are now laid out on the back of the slab in whatever way leaves the least waste. We cut around the patterns, removed the waste clay to be re-wedged and made again into clay blocks for cutting into slabs. The next step is very important, many of the tiles look quite similar but are not interchangeable, so each tile was stamped on the back with the appropriate pattern number, and this eliminated a lot of confusion later on. The very last step was to carefully remove the green clay tile from the work surface, touch up any imperfections by hand and lay the tiles face up on sheets of drywall to dry.

             My potter friend then lent me one of her electric kilns (she did, and still does collect pottery stuff to an alarming degree) I set up the kiln in the garage where I lived and was able to do all the bisque firing in one go. I had to do the glaze firings in several different firings, first because some of the colors I chose needed to be glaze-fired at different temperatures from one another, and second because not all the glazed tiles would fit in one firing without touching one other and thus sticking together.
             At last all the tiles were bisque fired, glazed and glaze-fired, boxed by pattern type, and the boxes numbered and labeled.
             I now thought that the worst was over, it came as something of a surprise therefore when I discovered that the actual process of tiling would take several days and many hands helping in order to complete this project. In fact, it took several months to find a window of opportunity to set the tiles, but the finished hearth met all of my expectations.

           This has been a busy month and I have not worked on this site very much, but there has been a lot of interest in the Celtic Wheelhouse lately. I realized that a lot of the information about the Wheelhouse is scattered around this sight, so I stayed up last night and created a new page just for the wheelhouse (See the “pages” column on the right). On it, I have tried to organized posts about the Wheelhouse in a more chronological order.
          It is my hope if you are interested in the Wheelhouse, this page may make it easier for you to gather the information you were looking for without jumping all over the dovetails site.